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26 U. Mich. J.L. Reform 633 (1992-1993)
The Writing on Our Walls: Finding Solutions through Distinguishing Graffiti Art from Graffiti Vandalism

handle is hein.journals/umijlr26 and id is 643 raw text is: THE WRITING ON OUR WALLS: FINDING
SOLUTIONS THROUGH DISTINGUISHING
GRAFFITI ART FROM GRAFFITI VANDALISM
Marisa A. G6mez*
I.  Graffiti's Roots .......................... 636
II. Types of Graffiti and the Motivations
of Its  Creators  ..........................         644
III. Proponents v. Opponents: Sketching Out the
Arguments For and Against Graffiti .......... 650
IV. Methods Used to Combat Graffiti ............ 656
A.   Criminal Prosecution and Penalties     ...... 657
B.   Civil Causes of Action Against Writers .... 670
C.   Measures Against the Writer's Parents .... 672
D.   Prophylactic Measures     ................ 673
V. Towards an Integrated Solution That
Recognizes and Meets the Needs of the Writers . . 696
A.   Drawing a Clearer Line Between Graffiti
Art and Graffiti Vandalism   ............. 697
B.   More Youth Programs: Involving Youth in
Society  ............................          697
C.   Providing Legal Art Space and Encouraging
Commissioned Works: Fighting Graffiti
with Graffiti ........................ 701
D.   A Better Deterrent: Letting the Punishment
Fit the Crime and Increased Enforcement .       703
*    Editor in Chief, University of Michigan Journal of Law Reform, Volume 26,
1993. B.A. 1990, University of Michigan; J.D. 1993, University of Michigan Law
School. Law Clerk to the Honorable Barbara A. Madsen, Washington State Supreme
Court. I would like to thank my note editors Steven Pearlman, David MacKinnon,
Margo Wolf, and Peter Hardy for doing their jobs so well and for providing me with
the direction and suggestions that I needed. I also would like to thank David Tess,
Michael Weisberg, and Amy Meyers for their help and suggestions; Catherine
Leggieri and Kathy Nielsen for their assistance, patience, and good work; Jim Green
for pointing me in the direction of graffiti; and Adolfo Nodal of the L.A. Cultural
Affairs Department for his time.

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