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2026 U. Ill. L. Rev. Online 1 (2026)

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CULTIVATING THE TRIAL MYTH: THE

HARMFUL ABSENCE OF ADR IN MOVIES



                                                               Michael   Conklin*




                               I.   INTRODUCTION

      The misleading  portrayal of lawyers  and the legal system  in film and tele-
vision is well documented   in the literature.1 There is a glaring lack of represen-
tation, however,  in Alternative Dispute  Resolution  (ADR)   in film and televi-
sion.2 This gap is made  even  more  significant when  one considers how   ADR   is
the most  common method for resolving legal disputes.3 This Article is the first
to quantitatively document   this lack of representation and examine   how, in the
limited instances  that do exist, ADR   is frequently portrayed  inaccurately  and
negatively. This novel framework   provides  a valuable tool for better understand-
ing how  representations of the legal system affect public sentiment, which in turn
affects the legal system itself.
      The  power  of movie  and television portrayals to influence public  opinion
and  public   behavior  is  well  documented.   Viewers-especially adolescent





    *   JD, LLM, MBA, MSBA, MPhil; Assistant Professor of Business Law, Texas A&M University Central
Texas; Lecturer, Texas A&M University School of Law.
     1. See generally MICHAEL ASIMOW & SHANNON MADER, LAW AND POPULAR CULTURE: A COURSE BOOK
(2004); Christine Alice Corcos, We Don't Want Advantages: The Woman Lawyer Hero and Her Questfor
Power in Popular Culture, 53 SYRACUSE L. REV. 1225 (2003); Charles B. Rosenberg, An L.A. Lawyer Replies,
98 YALE L.J. 1625 (1989); Kimberlianne Podlas, The Tales Television Tells: Understanding the Nomos Through
Television, 13 TEX. WESLEYAN L. REV. 31 (2006) [hereinafter Podlas, The Tales Television Tells]; Michael Asi-
mow, When HarryMetPerry andLarry: CriminalDefense Lawyers on Television, 1 BERKELEY J. ENT. & SPORTS
L. 77 (2012) [hereinafter Asimow, When HarryMet Perry and Larry]; Kimberlianne Podlas, Guilty on AllAc-
counts: Law & Order's Impact on Public Perception ofLaw and Order, 18 SETON HALL J. SPORTS & ENT. L. 1
(2008) [hereinafter Podlas, Guilty on All Accounts]; Michael Asimow, Bad Lawyers in the Movies, 24 NOVA L.
REV. 533 (2000) [hereinafter Asimow, Bad Lawyers in theMovies]; Victoria S. Salzmann & Philip T. Dunwoody,
Prime-Time Lies: Do Portrayals of Lawyers Influence How People Think About the Legal Profession?, 58 SMU
L. REV. 411, 425 (2005); Victoria S. Salzmann, The Film Law Abiding Citizen: How Popular Culture is Poison-
ing People's Perceptions ofPleas, 41 Sw. L. REV. 119 (2011); Michael Pfau, Lawrence J. Mullen, Tracy Deidrich
& Kirsten Garrow, Television Viewing and Public Perceptions ofAttorneys, 21 HUM. COMMC'N RSCH. 307
(1995); Nancy B. Rapoport, Dressedfor Excess: How Hollywood Affects the Professional Behavior of Lawyers,
14 NOTRE DAME J.L. ETHICS & PUB. POL'Y 49 (2000).
    2.  See Carrie Menkel-Meadow, Legal Negotiation in Popular Culture: What Are We Bargaining For?,
in LAW AND POPULAR CULTURE 583, 583 (Michael Freeman ed., 2005).
    3.  See Andrew B. Mamo, Putting the Alternative Back into ADR, 70 WASH. U. J.L. & POL'Y 219, 219
(2023).


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