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16 Law & Human. 1 (2022)

handle is hein.journals/lawhuman16 and id is 1 raw text is: LAW AND HUMANITIES                                     Routledge
2022, VOL. 16, NO. 1, 1-2
https://doi.org/10.1080/17521483.2022.2069186          Taylor&Francis Group
Editorial
This issue of Law and Humanities is largely devoted to human rights and poetry.
Five articles on 'Human Rights and Poetry in a Global Context' are presented as a
special section edited by Ri6na Ni Fhrighil and Anne Karhio, and by happy coinci-
dence. This issue is completed by a sixth article, Chris Armitage's 'Lord Atkin, the
Snail and the Foreigner: Loving the Neighbour and Oppressing the Alien', which
approaches its legal subject not from the perspective of poetry but theology. As
long-term readers of this journal will know, its distinctive mission is to carry
humanities scholarship that engages with and speaks to the subject of law,
and we are delighted that the articles in the present issue fall squarely within
that remit. It is also a special pleasure to be carrying work by authors none of
whom have previously published with us.
The special section edited by Ri6na Ni Fhrighil and Anne Karhio is prefaced by
their own editorial introduction, so it falls to us as General Editors of the journal
briefly to introduce their introduction, and to introduce the two free-standing
articles that make up the present issue. The group of five articles edited by Ni
Fhrighil and Karhio is bound together by a shared thematic concern with human
rights and poetry, but is nevertheless most impressive in its diversity, with contri-
butions from Ireland, Greece, Nigeria, and Tibet. To our memory, the latter is this
journal's first publication with a focus on Tibet. A most welcome novelty. Sadly,
there is no novelty in the awful events occurring in Ukraine as this issue goes to
press, it is rather the recurring tragedy of human societies that they have so fre-
quently waged unjust war on their neighbours. Amongst the myriad images that
have daily accompanied this terrible assault, one of the most voluble, precisely
because it speaks of the silencing of what is best in human endeavour, is the
image taken in the city of Kharkiv of sandbags being piled up to surround and
protect the statute of Ukraine's national poet Taras Shevchenko. Where other
images are visceral, this image speaks bloodlessly of the violence that inevitably
accompanies systems of human power, or systems corrupted by powerful
humans. Each of the five articles in the Ni Fhrighil and Karhio collection opens a
way to understand, or to appreciate better, the power that the poetic promises
for the improvement of institutions - the law included - which are always at risk
of losing their contact with humanity. One of the articles in the special section -
'A black day, this' Irish Poetry and the Fall of Srebrenica' is concerned, as the
editors say, 'with events of 11th July 1995 and the subsequent genocide of approxi-
mately eight thousand male Bosniaks during the Bosnian War'. Twenty-seven years
later, the calendar of dark days reminds us yet again of the need to live with respect
for humanity, and (we would say) by the light of the arts and humanities. We leave
it to Ri6na Ni Fhrighil and Anne Karhio to introduce the five articles in their special

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