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26 J. High Tech. L. 1 (2025)

handle is hein.journals/jhtl26 and id is 1 raw text is: 










           ON  THE  CUSP OF  COMPETITION   AND  CONFUSION:
  EXAMINING NOMINATIVE FAIR USE IN TODAY'S WORLD OF LOGOS







                         Kelsey  Shaughnessy*





I.      Introduction

        Brands,  through names,  logos, slogans,  and even  designs, are
 ubiquitous, contextualizing  everyday  living, personal relationships
 even  ourselves.1   Brands  use trademarks   to capture  our attention,
 create  humor,   even  adorn  us, becoming the tools for living in
 contemporary   culture.2 As  such, it is not surprising that trademarks


 J.D. Candidate, Suffolk University Law School, 2026.
 1 See SARAH BANET-WEISER, AUTHENTICTM: THE POLITICS OF AMBIVALENCE IN A
 BRAND CULTURE  3 (N.Y.U. Press, 2012) (introducing the ever-present nature of
 brands in contemporary culture by describing Logorama, a sixteen-minute animated
 short film debuted at Cannes Film Festival in 2009 by H5, a French creative
 collective). The film replicates Los Angeles, a city entirely immersed in brands,
 depicted in a stylized, cartoon-like aesthetic to replicate consumer culture. Id. at 2-
 3.  Sarah Banet-Weiser  juxtaposes Logorama  to contemporary  culture to
 demonstrate how brands are embedded   in every aspect of our lives and
 relationships. Id. at 3.
 2 See Pratheepan Gulasekaram, Policing the Border Between Trademarks and Free
 Speech: Protecting Unauthorized Trademark Use in Expressive Works, 80 WASH. L.
 REV. 887, 887 (2005) (describing the expressive attributes of trademarks). See also
 BANET-WEISER, supra note 1, at 9 (describing how brands are part of culture that
 is produced and given meaning by consumers.). A brand is more than the object
 itself, a brand is the perception-[a] series of images, themes, morals, values,
 feelings, and sense of authenticity conjured by the product itself. The brand is the
 essence of what will be experienced; the brand is a promise as much as a
 practicality. Id. at 4. See also Vanessa Friedman, How Nike Won the Cultural
Marathon, N.Y. TIMES (June 22, 2023), archived athttps://perma.cc/W3HM-QDK2

Copyright  © 2025 Journal of High Technology Law and Kelsey Shaughnessy.
                   All Rights Reserved. ISSN 1536-7983.